timfawcett
timfawcett
Tim Fawcett - Painter
Tim Fawcett is a painter, originally from Cambridge, studied Fine Art at Cambridge and Sunderland, gaining a B.A.(Hons) with a brief spell of PGCE training at Brighton where he continued to paint and exhibit whilst freelancing as an architectural designer. He moved to the Isle of Wight, UK in 2016, in order to commit to his practice full time.
Tim Fawcett’s artistry is a delicate balance between instinctual creativity and sophisticated technique. In his ‘chairs series,’ this balance is strikingly evident. The initial strokes are guided by a pure, unfiltered instinct, a reflection of Fawcett’s commitment to capturing the essence of his subject matter in the most authentic way possible. Yet, this spontaneity is not left unchecked. Fawcett revisits his work with a critical eye, integrating his deep knowledge of painting to refine and elevate the piece. This dance between intuition and expertise is a hallmark of his style, creating a dynamic tension that imbues his work with a sense of immediacy and depth.
Fawcett’s approach is deeply introspective, reflecting a deliberate choice to break free from the traditional methods that once defined his art. By embracing imperfections, he challenges the conventional boundaries of art, allowing for an exploration of more complex concepts and themes. This transformation is not merely a shift in technique but a profound redefinition of his relationship with art, enabling him to delve into powerful metaphors and themes, such as the misuse of power, with a newfound depth and intensity.
The energy in Tim Fawcett’s artwork is palpable, a kinetic force that captures the viewer’s attention and provokes thought. This energy is a direct translation of Fawcett’s emotional responses to the world around him, particularly current afairs that resonate with him on a visceral level. The rapid execution of his work is a deliberate choice, allowing the artist to channel his immediate emotional reactions onto the canvas. This dynamic interplay between the emotional and the physical is central to his work, creating a vibrant, energetic efect that engages the viewer on multiple levels. Fawcett’s ‘chairs series’ exemplifies this balance of speed and depth. These paintings are not just quick executions but are imbued with profound meaning and symbolism. The imagery of chairs serves as a versatile metaphor in his art, representing authority, its breakdown, or its impact on individuals. Fawcett’s ability to blend instinct with a deep understanding of painting techniques results in compositions that are both immediate and nuanced, inviting the viewer to explore the underlying themes and emotions that drive his work.
Tim Fawcett’s artistry is a delicate balance between instinctual creativity and sophisticated technique. In his ‘chairs series,’ this balance is strikingly evident. The initial strokes are guided by a pure, unfiltered instinct, a reflection of Fawcett’s commitment to capturing the essence of his subject matter in the most authentic way possible. Yet, this spontaneity is not left unchecked. Fawcett revisits his work with a critical eye, integrating his deep knowledge of painting to refine and elevate the piece. This dance between intuition and expertise is a hallmark of his style, creating a dynamic tension that imbues his work with a sense of immediacy and depth. The symbolic use of chairs in Fawcett’s art ofers a window into his thematic concerns. These everyday objects transcend their mundane status, becoming powerful symbols of authority, its disruption, and its efects on individuals. Through this common imagery, Fawcett delves into complex narratives, making profound statements about power and its manifestations. This symbolic language is not just accessible; it’s deeply resonant, inviting viewers to engage with the artwork on a more profound and introspective level.
Tim Fawcett’s work is a rich tapestry woven from diverse influences, each contributing to the depth and breadth of his artistic expression. The impact of Cy Twombly and Edvard Munch is particularly pronounced, ofering a glimpse into the lineage of his creative evolution. From Twombly, Fawcett draws a fusion of gesture and conceptualism, a blend that informs his approach to the canvas. Munch’s influence is evident in the emotional depth and intensity that Fawcett channels into his work, demonstrating a deep engagement with the emotional landscapes that Munch so masterfully depicted. Music plays a pivotal role in Fawcett’s creative process, serving as a catalyst that shapes the mood, pace, and direction of his work. The interplay between auditory stimuli and visual expression is a distinctive aspect of his artistic practice, allowing for a multi-sensory experience that enriches the final piece. Whether it’s the lyrical content or the rhythm of the music, each element has the potential to spark a new direction or nuance in his work, adding layers of meaning and emotion that resonate with viewers on an intuitive level.
[Ewan Shah - 2024]
Exhibitions
Solo
2021 Arch Window Gallery, Isle of Wight.
2020 "Edge of Abstraction", Aspire, Ryde. Curated by Jan Johnston and Zoe Barker
2017 “Life is Modern Rubbish” Jackhouse Gallery Portsmouth
2013 "Distillation" Redrooster, Brighton
Group
*UPCOMING three person show, AKA, Cambridge*
...dates to be announced...
2024 AKA Contemporary, Cambridge "Spring Show"
2024 MAD Atelier, London - "RAW"
2023 DeBois Design, NYC show home exhibition
2023 Peer Studio & Gallery, Ventnor, UK - collaboration with Kathy Williams PADA installation
2023 Canary Wharf show home commission
2023 Art Vin 3, Quillan, Occitanie, France.
2023 The Halland Gallery, Isle of Wight.
2023 Lido Stores, Margate, Kent
2022 The Other Art Fair London
2022 Riboleau Open studios group show
2022 Arch Window Gallery, "Blue and Yellow" Ukraine fundraiser
2021 Flowers Gallery London, Small is beautiful XXXIX
2020 JP Art Gallery London, Autumn and Winter Exhibitions
2020 Artists for NHS, St Mary's Hospital, Newport
2020 Artists for YMCA fundraiser, donated works for young carers
2020 The Other Art Fair, Trueman's Brewery, London Mar 19-22nd POSTPONED
2019 Open Studio , Ryde, Isle of Wight
2019 Quay Arts Gallery, Isle of Wight - Group Showcase
2018 Dynamite Gallery, Brighton -Group show,
2017 Camaver Kunsthaus, Italy,
2017 Affordable Art Fair Battersea, London
2016 DMH Stallard London, Group show
2016 Ink-d Gallery Group show
2016 Shortlisted for National Open Art Competition
2016 Art for Syria Auction donation
2016 Big Heart Charity Auction donation
2015 Galerie de Francony - Selected works
2015 King's Hill Gallery, Kent, UK
2015 DMH Stallard, Gatwick, UK
2015 Ink-d Gallery - summer group show
2015 Saatchi online "Artist of the Day"
2015 Spring Show Jeffrey Meier Gallery New Jersey
2014 Phoenix Gallery Brighton "A3" group show & auction
2014 Phoenix Open Studios
2014 Ink-d Gallery Brighton "Pushing Paint"
2013 Affordable Art Fair - Battersea, London
2013 JAG Gallery –Brighton
2016 Willow foundation Charity Art Auction
2012 Affordable Art Fair - Hampstead, London
2012 Affordable Art Fair - Battersea, London
2010-2012 Lilford Gallery, Canterbury
2009 Ink-D gallery Brighton - "pushing paint" group show
2009 No Walls Gallery - group show
2009 First Floor 2 Gallery -group show
Plus Various International Private Collections,
Commercial collection owned by Canary Wharf Group
Contact Me
Bibliography
Smith, Sandra: “In the Frame”, Hampshire Life, January edition, 2018
Crowe, Rebecca: “Modern Rubbish is Life”, Solo exhibition catalogue, 2017
Giornale di Lecco: “Villa Monastero ospita l’arte internazionale”, Italy 8th June 2017
Williams, Kathy (MH Arts): “Unmade”, group show, Foal Arts, Ryde 2017
Private Collections
UK, Italy, France, Germany, Switzerland, Austria, Australia, USA, Japan and Israel.